Bannie Britz remains professionally
active, and after nearly 45 years in practice, unflaggingly
renders outstanding services to clients, students, colleagues
and the public at large. What distinguishes him is his uncompromising
faith in good design. He maintains the highest standards,
which are scrupulously applied to the most modest commissions
and prestigious projects alike. This qualitative approach
has not only been of benefit to his clients, but also to
his students, colleagues and non-architects.
Within the ambit of South
African Architecture, Bannie Britz played an important role
as part of a younger generation of architects, who studied
and worked abroad during the late 1950’s and early
1960’s. Unlike many of his peers who studied and worked
in Philadelphia (USA), Bannie Britz preferred Europe. His
eclectic contribution reflects the ideas of diverse architects
such as Theo Crosby, the Smithsons, Alvar Aalto and Archigram.
After his return to South Africa he established his own
practice in Pretoria in 1961, and relocated to Johannesburg
where the practice became influential and achieved considerable
success. The scope of his work ranges from furniture, modest
community projects, prestigious residential commissions,
to large-scale office and institutional buildings. He has
also been involved in urban design projects. Throughout
his career, his work has been noted not only for its formal
aesthetics, but also its innovative tectonic sensibilities.
From the outset of his career, he generously shared his
knowledge with students and colleagues. This commitment
was underscored by his appointment as head of the Department
of Architecture at the University of the Free State, a position
he held with distinction for a number of years. During this
period he laid the foundations for the department to become
one of the most respected Schools of Architecture in South
Africa. His tenure at the university also included the establishment
of a number of community projects that has proven sustainable,
and which have gained general recognition. His work has
received the recognition of his peers, and during his career
thus far, he has received 17 merit awards. He has also been
recognised by the Suid-Afrikaanse Akademie vir Kuns en Wetenskap
and was awarded their Gold Medal for Architecture.
Bannie Britz has played an active role in promoting the
discipline of architecture amongst his colleagues and the
general public. He has been an active member of the Institute,
and has also served as President of the Free State Institute
of Architects. His contribution has been especially important
during the period of transition where compulsory membership
of the various Institutes was discontinued. He has played
a pivotal role in persuading and cajoling architects to
remain members of the Institute and also to actively demonstrate
the benefits of belonging to the Institute. Bannie Britz
has a regular column in a local newspaper promoting good
(residential) architecture, a daunting undertaking in the
Free State. His writings on architecture are engaging, lucid
and unpretentious. In the early 1990’s he completed
a degree in Urban Design at the University of the Witwatersrand,
exemplifying the notion that we remain students throughout
our careers. He obtained his degree with distinction.
His personal philosophy has allowed him to re-invent his
work continually and he has fully embraced the changes in
the global and our South African society, becoming neither
a cad nor a caddie, possibly semi CAD-ded, but still producing
beautifully-detailed, hand-drawn drawings in his office
on the outskirts of the city of Bloemfontein. We salute
Barend Johannes Britz, who leads by example, and who belongs
to that special group of individuals that enthuses disillusioned
colleagues, offers sustenance to students and repeatedly
amazes and elevates his clients’ spatial experiences
above the mundane.